Tsukiko is in her late 30s and living alone when one night she happens to meet one of her former high school teachers, 'Sensei', in a bar. He is at least thirty years her senior, retired and, she presumes, a widower. After this initial encounter, the pair continue to meet occasionally to share food and drink sake, and as the seasons pass - from spring cherry blossom to autumnal...(展开全部)

In the latest from international bestselling author Keigo Higashino, Tokyo Police Detective Kaga is faced with a very public murder that doesn't quite add up, a prime suspect unable to defend himself, and pressure from the highest levels for a quick solution. In the Nihonbashi district of Tokyo an unusual statue of a Japanese mythic beast - a kirin - stands guard over the distr...(展开全部)

楠田は兄とともに起ち上げたアクセサリーブランドのモデルにかつては天才と言われたものの今は落ちぶれた俳優・秋沢海斗を選ぶ。 しかしくせの強い彼は撮影日に大暴れ。 カメラマンと殴り合いをしてしまう！ それでも彼と辛抱強く付き合ううちに秋沢から懐かれた楠田は、好きだと誤解させてなんとか彼を操ろうとする。 だが恋人と思い込んだ秋沢の人一倍深い執着心に次第に絡め取られていき…。 COLDシリーズスピンオフ、楠田編。

In the latest from international bestselling author Keigo Higashino, Tokyo Police Detective Kaga is faced with a very public murder that doesn't quite add up, a prime suspect unable to defend himself, and pressure from the highest levels for a quick solution. In the Nihonbashi district of Tokyo an unusual statue of a Japanese mythic beast - a kirin - stands guard over the distr...(展开全部)

假裝說喜歡上他，但這個吻卻不帶虛假；在他執著地糾纏之下，假的也能成真……！？ 楠田與哥哥一同創立的飾品品牌店，選了過去被譽為天才、如今卻是落魄潦倒的演員‧秋澤海斗為招牌模特兒。可是性格剛烈的他在攝影當天大肆胡鬧，還跟攝影師互毆！儘管如此，在耐心地跟他來往的期間，逐漸被秋澤親近的楠田，打算讓秋澤以為喜歡自己並藉此操控他。 然而深信兩人是戀人的秋澤，比他人還要強烈一倍的執著卻開始逐步糾纏著楠田……。 COLD系列衍生作品，楠田篇。 ※《COLD HEART in NEW YORK》預計2016年秋天推出，敬請密切期待！！

Tsukiko is in her late 30s and living alone when one night she happens to meet one of her former high school teachers, 'Sensei', in a bar. He is at least thirty years her senior, retired and, she presumes, a widower. After this initial encounter, the pair continue to meet occasionally to share food and drink sake, and as the seasons pass - from spring cherry blossom to autumnal...(展开全部)

從東京開始的都市建築冒險 建築物上有電車或道路穿梭、高速公路蜿蜒地跨在河川上空、車子可以開上直達大樓六樓屋頂的斜坡、住宅區中的高爾夫球練習場看起來就像個大籠子一樣……這些寡廉鮮恥的用途組合及空間構成，憑藉現代建築技術而出現在都市裡。可容許這種狀態存在的東京，到底是個什麼樣的城市？ 若以從事建築設計的價值觀為準，這個都市在人們眼前的映象只是充斥著該被唾棄的毫無價值的建築物。如果身邊淨是慘不忍睹的都市風景，那奉建築名作為圭臬只不過變成展示自己的興趣品味、擴張對漂亮照片的無謂憧憬而已。這樣下去連建築設計也立刻成為索然無味的無聊玩意兒罷了，讓人不禁悲觀地對未來失去信心。 但東京已經完全被上述所謂無價值的建築物所佔據了，也許我們不該逃避現實，而是思考如何將它們變成優點才對。若不能將己身周遭化為豐富的資源，就失去特地留在東京的意義了。作者意識到這種想法，開始思考...(展开全部)